March 12, 1985 45 min
Overview
Looks at the awesome ability of on-screen images to evoke a massive public response, as with the pictures of the starving children of Biafra in 1968; to shape the nature of the response, with American footage showing how protesters in close-up look far more violent than when filmed in long-shot; and ultimately to shape events like Nixon's downfall. (The Guardian)
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